VICTORY369
Techno Melodic Progressive
WELCOME by RIMAURI MUSIC COMPOSER
ED. CICLAMINO is owned by Marco Bini Rimauri aka Teisco aka Marco Melchiori
Dear friends (male and female) and supporters,
Sono Rimauri e da oltre cinquant'anni ho il privilegio di esplorare vari mondi musicali.
I have performed classical chamber music as well as more contemporary sounds such as Chill-out, World Music, New Age, Afro, Ambient, Indian classical music, Ethnic, Jazz, Blues, Rock, Funk, and Electronic music.
Throughout this journey, my music has always reflected passion and experimentation, never adhering to a specific genre but allowing myself to be inspired by the moment's emotions.
In the 70s with Edizioni Ciclamino, I produced my first Long Playing on vinyl, called: Tuscan Castle in Country Seat, where I combined electronic music played with the Moog analog oscillator keyboard at the same time and then mixed it, to my piano.
I also used other instruments (my faithful Rickenbacker mod 325 Rosemorris electric guitar from 1968, the Fender Stratocaster, in addition to the electric bass, the drums, Celtic harp, African ethnic drums (open at the bottom), small Indian percussions, and Tibetan bells and drums) by learning to play wind instruments such as the oboe, flute, and clarinet.
I take this opportunity to remember and thank my two music teachers: the Orchestra director, Prof. Angelo Cavallaro, who taught me "Musical Composition" with the guitar and the Flute.
My dear friend Maestro Antonino Luciani taught me musical sound design and helped and taught me how to mix music on documentary videos. At that time, editing was "edited" by cutting the tapes with cutters, shortening them (or lengthening them), and reattaching them together. Maestro A. R. Luciani also taught me wind instruments such as the oboe and the clarinet, played on my music in the Long Playing "Atmosfere".
M˚ Antonino R. Luciani was also a researcher and I was very fascinated by listening to his theories: I spoke with him at length about the resonance of musical strings. This topic has fascinated me since I was a boy, and I remember the Maestro A.R. Luciani mentioned to me that there was a possibility that the right and left hemispheres of the human brain could synchronize together. He also asked me not to tell anyone about his sound research.
Today, I find myself at a turning point. After the pandemic and some personal and professional changes, I have decided to explore new ways to share my music while also staying creatively and professionally active. I have never aimed to make money from my music, but time and circumstances now lead me to consider this aspect.
I am currently working on remixes and reinterpretations of some of my pieces, particularly adding percussion and new sounds to previously lacking compositions. This shift does not signify a change in direction but rather a natural evolution of my artistic journey, allowing me to bring old tracks to life in exciting and innovative ways.
Rest assured, my original music will always be available, and I will continue to produce new works with the same authenticity as ever. I want to offer you the opportunity to discover different nuances of my creations.
For those of you who follow me on Spotify, YouTube, and other platforms, I invite you to stay tuned for these new releases. I would love to hear your feedback and know what you think about this new direction.
Thank you all for your continued support. Your presence and listening inspire me to keep creating and innovating.
Cari amici e amiche, sostenitori e sostenitrici,
Sono Rimauri, e per oltre cinquant'anni ho avuto il privilegio di esplorare diversi mondi musicali, spaziando dalla musica classica da camera a sonorità più moderne come: chill out, world music, new age, afro, ambient, musica classica indiana, etnica, jazz, blues, rock, funk, musica elettronica.
Durante questo percorso, la mia musica è sempre stata un riflesso di passione e sperimentazione, senza mai sentirmi obbligato a seguire un genere preciso, ma piuttosto lasciandomi ispirare dalle emozioni del momento.
Negli anni ‘70 con le Edizioni Ciclamino, produssi il mio primo Long Playng in vinile, chiamato: Tuscan castle in country seat, dove abbinavo musica elettronica suonata con la tastiera a oscillatori analogica Moog in contemporanea e poi mixandola, al mio pianoforte.
Quindi anche altri strumenti (la mia fedele chitarra elettrica Rickenbacker mod 325 Rosemorris del 1968, la Fender Stratocaster, ho imparato a suonare e utilizzanto il basso elettrico, la batteria, arpa celtica, tamburi etnici africani (aperti sotto), piccole percussioni indiane e campane e tammburi tibetani. Ho usato imparandoli a suonare anche strumenti a fiato come oboe, flauto, clarinetto.
Colgo l'occasione qui per ricordare e ringraziare i miei due maestri di musica: il direttore di orchestra professor Angelo Cavallaro che mi ha insegnato la "Composizione musicale" con la chitarra e il flauto traverso.
Il caro amico Maestro Antonino Luciani che mi ha insegnato la sonorizzazione musicale e aiutato ed insegnato a mixare le musiche sui video documentari. A quel tempo l'editing si "montava" tagliando i nastri con dei cutter accorciandoli (o allungandoli) e riattaccandoli tra loro. Dal Maestro Luciani ho anche imparato a suonare strumenti a fiato come l'oboe e il clarinetto, suonati sulle mie musiche nel Long Playng 'Antiche Atmosphere.
Oggi mi trovo a un punto di svolta.
Dopo la pandemia e alcuni cambiamenti personali e professionali, ho deciso di esplorare nuove modalità per condividere la mia musica e, allo stesso tempo, mantenermi attivo creativamente e professionalmente. Non ho mai pensato di fare soldi con la mia musica, ma il tempo e le circostanze mi portano ora a considerare anche questo aspetto.
Sto lavorando su remix e rielaborazioni di alcuni dei miei brani, in particolare aggiungendo percussioni e nuove sonorità a composizioni che finora non le avevano. Questo non rappresenta un cambiamento di rotta, ma piuttosto un’evoluzione naturale del mio percorso artistico, che mi permette di far rivivere vecchie tracce in modi nuovi e stimolanti.
Non temete, la mia musica originale rimarrà sempre disponibile e continuerò a produrre nuove opere con la stessa autenticità di sempre. Voglio solo offrirvi l’opportunità di scoprire sfumature diverse delle mie creazioni.
Per chi di voi mi segue su Spotify, YouTube, e altre piattaforme, vi invito a restare sintonizzati per queste nuove uscite. Mi piacerebbe sentire i vostri feedback e sapere cosa ne pensate di questa nuova direzione.
Grazie a tutti per il vostro continuo supporto. La vostra presenza e i vostri ascolti mi spingono a continuare a creare e innovare.
A presto,
• Rimauri's CD discography::
1995 SUNSET DREAMS (compilation)
1995 ANTIQUE ATMOSPHERE
1995 EXON • Some magazines that have written about Rimauri
1995 November SOUND 1995 September/October DIRECT REFLECTIONS
1995 November/December DIRECT REFLECTIONS USA
1996 TRIP (compilation) (World Music)
1996 EXPANDS (compilation)
1996 FERYXIGAN 1996 SEA-MOTI (compilation)
1996 SEA-MOTI (compilation)
1996 March SOUND 1996 August/September S.T.E.R.E.O.
1996 August e-CD Expands 1997 April CRITICISM JOURNAL (Belgium) Pascal Riviére Member no. 0819 WOFP (Organization Mondial Publicist Press)
1997 June "on the Cuesta de ..." a.s.b.l. Internet journal Pascal Riviére
1997 September (Belgium) PLAZA OUT
1997 November ENCYCLOPEDIA (Future Publishing)
1997 ESATRON (V 1.0) produced by Rimauri Music Production USA
1998 ESATRON MUSIC CONCERT (V 2.0) Rimauri Music Production & coprod R.A.U.
2000 May HARMONY (PIC Cover)
2000 November KING NUDE 2001 March RE NUDO (on Cromoattivazione)
2002 December PINECREST TRIBUNE (USA)
2002 December DORAL TRIBUNE (USA)
2002 December THURSDAY PAPERS (USA)
2003 August MIAMI NEW TIMES (USA)
2004 ESATRON MEDITATION CD ‘EXTRA’ with added video "live" where the music
composer Rimauri plays on the ancient Indian instrument Tampura.
2005 ESATRON MEDITATION CD ‘EXTRA’ with added video "live" where the composer plays on the ancient Indian instrument Tampura.
Some of the many music Videos & Documentaries was produced by the Independent Production Company by Rimauri:
PIANOSA: an Isle to defend (the Central Inspectorate Defense M.M.M.) EGADI ISLANDS: between tradition and culture to defend (the Central Inspectorate Defense M.M.M.)
THE LIVING STONES of SEA "Scientific and t. d. Researches Group"
THE CHARM OF MONTE CRISTO TUNAS: “TONNARE AND TONNAROTI”
AYAS and the disappearance of KRAMERTHAL: Department of Electronics & Search Milan
• AESCULAPIUS AWARD 12 2006 from the Legion of Union of the Italian Committee of NGOs at the United Nations and the specialized agencies of the UN and O.I.P.C. Geneva (with the presence of the RAI International network).
Some of the many music Videos & Documentaries was produced by the Independent Production Company by Rimauri:
PIANOSA: an Isle to defend (the Central Inspectorate Defense M.M.M.) EGADI ISLANDS: between tradition and culture to defend (the Central Inspectorate Defense M.M.M.)
THE LIVING STONES of SEA "Scientific and t. d. Researches Group"
THE CHARM OF MONTE CRISTO TUNAS: “TONNARE AND TONNAROTI”
AYAS and the disappearance of KRAMERTHAL: Department of Electronics & Search Milan
• AESCULAPIUS AWARD 12 2006 from the Legion of Union of the Italian Committee of NGOs at the United Nations and the specialized agencies of the UN and O.I.P.C. Geneva (with the presence of the RAI International network).
ANGEL
https://distrokid.com/videos/watch/dv-0Dav2X8Ro
In the heart of a vibrant, ever-shifting world, where time dances like the endless waves of the sea, Rimauri rises as a luminous beacon of ancient wisdom. Enveloped in the tender melodies of the tampura (tambura), Angel's spirit intertwines with Anima in the serene echoes of the ocean, crafting a symphony that whispers directly to the depths of our consciousness.
In this enchanted space, upon the sands shaped by time and adorned with a pyramid of driftwood, we face the ocean's vastness. Here, the notes vibrate, merging effortlessly with the caress of the salty breeze. Angel, the divine messenger of sound, carries with it the gifts of peace and spiritual rejuvenation. Each note serves as an invitation to reconnect with the essence of our being, guiding us on a timeless journey where the ancient embraces the present in a beautiful dance of harmony.
Join me on this sacred journey within, where the music of Rimauri will lead us to newfound realms of awareness and serenity. This is a hymn to life, an ode to the splendor of existence, and a profound call to the spirituality eagerly waiting to awaken in each of us.
Nel cuore di un mondo vibrante e in continua trasformazione, dove il tempo danza come le onde senza fine del mare, Rimauri si erge come un faro luminoso di antica saggezza. Avvolto nelle tenere melodie della tampura, lo spirito di Angel si intreccia con Anima nelle serene echi dell'oceano, creando una sinfonia che sussurra direttamente alle profondità della nostra coscienza.
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In questo spazio incantato, sulla sabbia plasmata dal tempo e adornato da una piramide di tronchi di legno fluitato, ci troviamo di fronte all'immensità dell'oceano. Qui, le note vibrano, fondendosi senza sforzo con il caldo abbraccio della brezza salmastra. Angel, il messaggero divino del suono, porta con sé i doni della pace e della rigenerazione spirituale. Ogni nota è un invito a riconnettersi con l'essenza profonda del nostro essere, guidandoci in un viaggio senza tempo dove l'antico abbraccia il presente in una danza bella di armonia.
Unisciti in questo sacro viaggio interiore, dove la musica di Rimauri ci condurrà verso nuovi orizzonti di consapevolezza e serenità.
Questo è un inno alla vita, un’ode alla bellezza dell’esistenza, e un profondo richiamo alla spiritualità che attende di risvegliarsi in ognuno di noi.
OCEANIC ATMOSPHERE
https://www.rimauri.net/2024/07/atmosphere-httpsdistrokid.html
RIMAURI AND THE ANCIENT TAMPURA (TAMBURA)
The Resonance
"MUSICAL RESONANCE"
Music, resonance refers to the phenomenon in which a sound produced by a source creates vibrations on the same object, which acts as a resonator and is transferred to the hosting object that is vibrating.
This other object receives, amplifies, and colors the original sound.
This process occurs when the frequencies of the original sound coincide with the natural resonance frequencies of the object, leading to an increase in the amplitude of the vibrations and the production of harmonic sounds. Resonance is a fundamental concept that influences the timbre and intensity of sound in various musical instruments and acoustic environments, contributing to creating the distinctive and rich sound quality found in different musical performances.
"RISONANZA MUSICALE"
Nella musica, la risonanza si riferisce al fenomeno in cui un suono prodotto da una sorgente crea vibrazioni sullo stesso oggetto, che funge da risonatore e trasferisce le vibrazioni all'oggetto ospitante che vibra.
Questo secondo oggetto riceve, amplifica e colora il suono original.
Questo processo avviene quando le frequenze del suono originale coincidono con le frequenze naturali di risonanza dell'oggetto, portando ad un aumento dell'ampiezza delle vibrazioni e alla produzione di suoni armonici.
La risonanza è un concetto fondamentale che influenza il timbro e l'intensità del suono in vari strumenti musicali
e ambienti acustici, contribuendo a creare la qualità sonora distintiva e ricca presente nelle diverse esibizioni musicali.
RIMAURI aka Teisco aka Marco Bini (Melchiori) eclectic artist.
DOSSIER SPECIAL Label RCA 1982 Long Playing Vinyl
Rimauri, an eclectic artist, was inadvertently inserted into the New Age genre by High Tide publisher Tasinato. This label, affixed for reasons unrelated to his music and philosophy, has branded him as a forerunner of the movement, despite not reflecting his true artistic essence. In fact, Rimauri has never had any interest in the New Age and has even criticized its mystification and opportunism.
"My true artistic nature is far removed from this current, exploring deeper and more authentic musical and philosophical territories".
Rimauri refuses to be defined by pre-packaged labels, claiming his freedom of expression and estrangement from any dogma or pre-established movement.
In the 90s when the new age began, but also many years before, Rimauri searched with love and devotion for awareness reflecting the concept of: "stop kneeling, adoring and venerating any kind of external entity, but concentrate on yourself, on your own Soul."
His art is an introspective journey, a continuous search for truth and knowledge, free from fleeting trends and superficial conformities. Rimauri is a free artist, an independent thinker, whose authentic voice resonates beyond labels, challenging conventions and inviting the exploration of uncharted horizons.
Additional points:
italian translate:
Rimauri, artista eclettico
J. Lennon played the same guitar Rickenbacker 325 Rose Morris 1968 exactly like this one.
The J. Lennon guitar can also be seen in photographs, taken in 1967, in Lennon’s home music room.
In 1968 Lennon gifted the guitar to R. Starr.
VICTORY369 Techno Melodic Progressive https://distrokid.com/hyperfollow/rimauri/victory369