RIMAURI: March 2023

Friday 31 March 2023

... from 1976 TEISCO'S THE SMOGS

TEISCO aka Rimauri February 1976

Teisco aka Rimauri, Mr. Faffo aka Rodolfo Becchi (drummer),

Mrs. Lina Francesca Bini Published by Edizioni Ciclamino: Sanremo 1976

Video Rimauri aka Teisco

Teisco aka Rimaurui 1977

Thursday 30 March 2023

THE SMOGS Garage Band

The Languid Descent of Evening
The sun lazily descended upon the tranquil afternoon of 1970. Within a garage transformed into a temple of rock, the vibrant notes of a Teisco electric guitar filled the air. Teisco, or rather Rimauri, his musical alter ego, was its absolute master. His agile and precise fingers danced across the frets, crafting melodies that intertwined with the pulsating rhythms of the drums.
By his side, Mr. Dado, whose real name was Alessandro, gave life to a sonic counterpoint with his bass guitar. His bow glided delicately across the strings, creating a warm and enveloping sound that blended perfectly with Teisco's guitar.
Together, the two musicians formed a single soul, giving birth to a unique musical alchemy. They were The Smogs, an emerging band that, within the walls of that garage, was forging its own sound, a mix of rock, psychedelia, and experimentation.
The air was thick with passion and energy. The vibrations of the music propagated beyond the walls of the garage, attracting the attention of the occasional curious passerby. The two musicians, however, paid no attention. They were completely immersed in their art, and transported into a world of sounds and emotions.
That afternoon, in Teisco's The Smogs garage band, it was not just music that came to life. It was the dream of two young men who, with their passion and talent, wanted to leave an indelible mark on the music scene.
They were The Smogs, and their music was only at the beginning of its journey.

THE SMOGS Garage Band 1970/1971/1972

Teisco aka Rimauri (M. B. Marco), A. Alessandro, S. Simone, G. Stefano.

Subsequently, the elements of the group The Smogs changed,

until Teisco continued the musical experience individually.

#1970s, #Garage Band, #Rock Music, #Teisco aka Rimauri, #Teisco Guitar,
#Musical Alchemy, #Teisco’s The Smogs aka Rimauri.

Monday 27 March 2023

THE CORALS

Corals are scientifically classified as animals: they are not plants, they are not minerals! Coral is a calcareous substance produced by colonies of small creatures, specifically, polyps (not octopuses) that come together to create a single large coral organism also called a coral reef.

Link YouTube

GENESIS OF THE CORALS

Rimauri on SoundCloud

https://soundcloud.com/rimauri/traccia-05-genesi-dei-coralli-by-rimauri-composer?si=25a80c27f8c74ed9b7c6745d97ae442d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Basic tuning 432Hz - Key signature 528Hz

Monday 20 March 2023

RIMAURI tuning

Without going into too much detail, I'll take stock of my tunings since forever. I started playing my grandmother's out of tune piano when I was 4 years old; I spent hours on that cherry piano with candle holders (later modified) on the right and left.

Then I realized that the acoustic performance of a string increases as its vibrating length increases.

In technical terms, this parameter defines the inharmonicity Index and is the guiding parameter with which in the Renaissance, as today, the luthier determined the vibrating length of the instrument to be built after knowing the treble note and the reference pitch.

I love tuning at 432Hz for to play ancient music, health, relax but I studied and researhed one thing: to play a tone higher, so in F (460Hz) which becomes e sharp.

I love Re♯528Hz used fot prosperity and abundance also for good health.

The key signature in six sharps

To follow this technique stringed instruments are tuned no lower than 460Hz. I checked with many attention this frequency and saw that it produces good effects on the body and mind.

I unlike the frequency of the fateful 440Hz only because it's "brilliant" but crushes the harmonics a lot.

The ancient instrument Tampura not easy tune so high and not easy to explain here.

Let's take an example: let's put that we play together and that my piano is well granted in the A 432Hz, but that the song takes place in a movement in FA minor.

So we consider that we will be in Mi Diesis. So the rope instruments that will suck me, how the guitar or the bass will have two ways: either they follow me considering the difficulties that follow the tour that will in La diesis, Re diesis Sol diesis and so on.

Or to grant the rope instrument or the La to 450 Hz. But the song will always be carried out on a piano granted in the

La 432 Hz, have I explained myself?

To be honest there is also another street and that is, the mobile leader also called Capo Barré. This is a device that I also used on the neck of my guitar to transpose and reduce the playable length of the ropes, thus increasing

the shade.

Important motivations

The most important motivation in support of this frequency lies in its greater harmony with nature and with the processes of life. 432Hz is a frequency interconnected with physiological DNA and brain wave processes, and also close to the Earth's background vibration which is 7.83Hz.

Also using a natural pitch scale at 432Hz the La at 432Hz appears in the same octave at 256Hz, which is the fifth octave higher by 8Hz (reference to the fundamental base frequency and true pitch note of the scientific tuning.

This doesn't mean that music played at 440Hz is bad!

To listen to but it certainly isn't really harmonic like music played at 432Hz, this is the question.

About DNA

The DNA corresponds to a wavelength of 65 nanometers which is the precise value of the 42nd octave above the frequency of 256.54 Hz. Therefore the harmonics of the 8hz are DNA replication frequency.

La of 432 oscillations per second

Giuseppe Verdi obtained in 1884 from the musical Governative commission decree which normalized the diapason to an La of 432 oscillations per second. The decree is exhibited at the Giuseppe Verdi Conservatory in Milan.

Conclusions

In conclusion Kepler's laws introduced us to the fact that the planetary arrangement of our solar system follows a tuning scale of Do to 256 Hz.

Rimauri on soundcloud